Nunavut: Teaching Art on No Budget
Quick answer: Plan the year around what the school already holds and what the community can lend, and treat bought materials as the exception. Drawing, photography and concept work cost almost nothing, because the expense in art is nearly always the consumable rather than the idea. The Nunavut Education Program keeps Inuit Qaujimajatuqangit at the centre, which points the same way.
What can I teach when the supply order is already spent?
Almost the whole drawing course. Observation, line, proportion, tone and composition need pencils and paper, which the school buys regardless, and they are the skills every later project rests on. Printable Garland Craft – Final Touch Activity for Grades K–4 fits a term like that, turning plain paper into finished display work for the younger grades, so the room still looks like an art room when the cupboard is bare.
Build the year on a sketchbook. Ten minutes of drawing to open every lesson costs nothing, produces a dated record of progress and gives you something to assess that does not depend on a delivery. Materials which have to be flown or shipped in rarely arrive on the timetable you planned around, so the spine of the course should never need them.
Art units that need almost no materials
- Printable Garland Craft – Final Touch Activity for Grades K–4 — $9.99, instant download
- Christo and Jeanne-Claude – Wrapping and concept art — $24.99, instant download
- Complete Art Education Bundle for High School Teachers — $59.90, instant download
All three are instant downloads that print on plain paper and work with pencils; the wider Nunavut collection is arranged by grade on Nunavut Curriculum Teaching Resources (K–12).
How does a no-budget plan sit with Inuit Qaujimajatuqangit?
Comfortably, because the cheapest work is often the most local. Inuit Qaujimajatuqangit runs through the Nunavut Education Program as a foundational principle rather than a single unit, and drawing from place, from land and from what people in the community make points students towards material already around them. None of that has to be ordered from the south.
The new Inuktut-language curriculum now being introduced beside the existing K-12 program is a good reason to label vocabulary in both languages from the first week. Write the terms on the wall as you teach them and leave them up all year. General art sets that adapt to that kind of local work are grouped on Nunavut Curriculum Teaching Resources (K–12).
Which lessons give the most for the least?
Concept-led ones. Christo and Jeanne-Claude – Wrapping and concept art is the clearest example, because wrapping ordinary objects turns string, tape and whatever sits in the storage room into a real conceptual project for senior students, and the discussion it generates about hiding, revealing and value costs nothing whatever. Photograph each piece and the work survives long after the materials are untied and put back.
Photography is the other high-return option wherever school devices exist. Ten images taken in one afternoon can teach framing, repetition and editing without a single purchase, and they give senior students something to keep. Set a rule of one subject and ten frames, and the constraint does most of the teaching for you. Teachers in other territories and provinces work under comparable constraints, and those collections sit together on Canadian Curriculum Navigator: Resources by Province.
How do I show progress without a territory-wide exam?
Your own records are the evidence. No universal territory-wide graduating examination is confirmed for Nunavut, and graduation runs on a credit system administered through the Department of Education, so what you keep is what counts. Dated sketchbook checks, photographs of finished pieces and a short spoken or written reflection give you a defensible file for every student.
Keeping that file is much easier when the units already ask for the right products. Complete Art Education Bundle for High School Teachers covers the senior years as a set, with tasks that end in something recordable, which matters when you are the only art teacher in the building and there is nobody else holding the standard steady alongside you. Buying the sequence once also means next year starts from a plan rather than from memory.
Frequently asked questions
Do these follow the Nunavut Education Program?
Each unit lists the skills and the finished work it produces, so a teacher can map it onto local outcomes and connect it to Inuit Qaujimajatuqangit in the planning stage. These are independent classroom resources, not affiliated with or endorsed by the Department of Education or any other education authority.
Do I need reliable internet or special software?
You need a connection once, to download the files, and a printer or a screen after that. Everything arrives as printable documents and slides, so a lesson does not depend on bandwidth on the day. Downloading a whole term at the start of the year is the safest approach in most communities.
What if we have almost no materials at all?
Start with pencil, paper and a camera, and let concept work carry the ambitious end of the course. Wrapping, arranging, series and documentation all produce serious student work from objects that already exist in the building, and the record you photograph is what goes into the student file anyway.


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